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Diploma project

Giacomo Pelizzari


Neven Mikac Fuchs
Angela Deuber
My diploma is a proposal for a hotel where the interest is the guest’s experience of space. Working with typology to avoid the perception of a repetitive system, a sense of ownership of the inhabited space is sought. Three spatial experiences are imagined in a precise sequence. A partly underground lobby welcoming the visitor, a narrow and long private room hosting him with different shades of intimacy and a large open public room on the piano nobile introducing him back to the city.
Morten Hammersmark Olsen


Christine Petersen
Tanja Lie
In the coastal municipality of Rødøy there are 377 islanders living on eight different islands. Traditionally most of them would have their own school and function as self-sufficient communities. Today there are three schools left and children have to travel by boat every day to get to school. When a school is closed it is almost as the island gets a death sentence. This project is about re-thinking the island school in terms of form, space and community.
 
Helene Velle Olsen


Lisbeth Funck
Matthew Dylan Anderson
Per Olaf Fjeld
In the vast meadowland of Gotland sits the
structure which is a part of the horizontal
landscape found on site. The built landscape is
inhabited by an animal sanctuary for sheep based
on The Five Freedoms that outline five aspects of
animal welfare under human control, developed in
response to a 1965 UK Government report on
livestock husbandry.
The five freedoms for animal welfare:

1. Freedom from hunger and thirst - by
ready access to fresh water and diet to
maintain health and vigor.

Torgeir Nordbø


Neven Mikac Fuchs
Aleksandra Ognjanov
Chris-Johan Engh
In my proposal the servant space is the main space.

The foyer of Rogaland Theatre is the architectural element that connects the old theatre to its new extension, while as an urban infrastructure it stages its immediate surroundings and gives them a new context. The project is about the space you walk through, which is both a result of something, and something in itself.

Marita Myklebost Nilsen


Beate Marie Manthey Hølmebakk
Through centuries, there has been a historical and philosophical exploration of blindness and a fascination with what the blind actually do ‘see’. Visual culture calls for a meditation on blindness, the invisible, the unseen, the unseeable, and the overlooked.
 
To question blindness is to question what seeing, and sighted experience, entails in itself.
 
Kari Opsal Mæland


Tine Hegli
Anders Grinde
This project explores an electrical substation which uses the natural resource of narcissism and self-exposure to promote sustainable energy.
 
Marie Meulman


Rolf Gerstlauer
Per Olaf Fjeld
I often see objects and then I see in them a longing
for something else. For me this obsession or act is
about finding the balance between closeness and
distance. That’s also why this sentence “He loves to
be alone, as long as she is in the room next to him”
lingers close to my material acting and sensing.
And because of my obsession for seeing or seeking
longing between objects, I decided on making two
houses in the landscape where I grew up. On a site
on a hill near the ocean where cows one time ate
Henrik Melby


Tine Hegli
This project is about investigating how a new fire station in Bjørvika can be close, visible and in harmony with the public.
 
Oslo Main Fire Station is today located in the area planned for a new Government Quarter, and therefore will be relocated out of the center of Oslo.
To guarantee the preparedness of the inner parts of Oslo there will be built a new central fire station on the fortress common in Bjørvika.
In general, the practically useful function and location of the fire stations built today has made them more isolated from the city than in the old days.
Bjørn Mejlænder-Larsen


Erik Fenstad Langdalen
Taubanesentralen (the ropeway hub) is a listed monument situated in Longyearbyen, conveying the history of a coal mining community in the Arctic. It was constructed in the late 1950s and used to transport kibbles with coal from the mines in the mountains where it was collected and passed on to the port and out to the world. The industry was in many ways constructed around the ropeway hub. Taubanesentralen is a purely practical installation, most likely shaped without thought for the esthetics.
Trygve O. Magnussen


Halvor Weider Ellefsen
This is a theoretical diploma that compares: Oslo’s ‘Fjord City’ and Hamburg’s ‘HafenCity’; two ongoing urban developments aimed to reconnect the inner-center with the waterfront. The objective is to scrutinize and compare the; motivations for urban development, strategies of implementation and visions for urban space and form.
 

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