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Diploma project

Cecilia Sundt


Neven Mikac Fuchs
The project is situated in Vågsbunnen and it is a part of the medieval city of Bergen. The ambition has been to work with architecture as an inte­grated part of a larger context, as a part of the city, and as a part of the historical quarter and its scale. This project introduces a new layer to the area and at the same time preserves the character of it, where housing and craftsmanship has been leading since its origin. Living in the city is about being a part of the urban life, but at the same time have the opportunity to privacy.
 
Viola Ulrika Kristin Svens


Neven Mikac Fuchs
Chris-Johan Engh
The hotel is a small exclusive hotel in Grünerløkka. It lies on the south-east corner of Sofienberg park, with facades towards both Sofienberggata and the Park, and towards Skjeldrups gate and the City. The main building is shaped as a triangle, and equal to both sides. A small group of trees on the south side flows into the site and becomes a large garden of trees, before it continues, ending in the park.
 
Jonathan Storheil Værnes


Neven Mikac Fuchs
Chris-Johan Engh
Young Eun Choi
All rooms in one apartment are open to each other, creating intersecting and linear sequences of central spaces. This sequence creates a growing, non-orthogonal conglomeration of rooms. Apartments shift from one corner to the opposite as one walks through the three stories, giving each apartment a feel of ownership to all sides of the building. Facade windows are aligned to create a square that is perceived in the coherent reflection of the glass, being the only orthogonal reference point of the building.
 
Magdalena Georgieva Alfredova


Jørgen Johan Tandberg
The project explores how production efficiency can be seen as an opportunity to reactivate Sørvær as a center for fish processing, assuming that maintaining the high standards that signify the products produced locally, are reasons to maintain local industry along the coast. The new architecture speculates on how the industrial typologies along the coast can be adapted for today’s production methods, but also on how the architecture of the facility can be reorganized in the future.

Camilla Gormsen


Beate Marie Manthey Hølmebakk
Pico island, Azores, is characterised by its mountain, ocean, and thousands of long, linear stone walls giving shelter to the vine plants. The site, situated on a rocky hillside surrounded by vineyards, offers close and distant views to the characteristic landscape.

The winery is built as parallel stone walls giving protection against the sun. Some spaces are underground to keep temperatures stable and stones from the excavation are used in the construction. The walls give shelter to the wine, the workers and the visitors, and weaves the building into the landscape.
 
Sindre S Fredriksen


Lisbeth Funck
Matthew Dylan Anderson
The project centers around how new spatial qualities can appear within an exsisting structure. As Edvard Munchs 'Scream' is finally silenced in its new high-security concrete block in Bjørvika, and his treasure chamber in Tøyen will be emptied, the Pushwagner museum is a way to discuss and discover the qualities of a purposemade building in a new context and frame. With traces of the old in combination with the new, the building becomes a structure that could fascilitate new life – a collection of spaces to house the spirit of the artist.
 
Anna Rosa Strassegger


Beate Marie Manthey Hølmebakk

an architectural project is a work of 
imagination 
words play a big part in it
poetry can play with words, with the 
imagination less violently, less restraining
it offers a space of freedom 
freedom to add, to be, to create

all creative practice needs the courage 
to add, to be, to create
to imagine what is not already present
or what is, though it does not let itself 
capture in words

this is my starting point
the project is an exploration 
of poetry 
in the search of architecture

Kristine Slettum Skarphol


Lisbet Harboe
Peter Paludan Hemmersam

The strategy is to extend the local intentions of the international research initiative, Climate-Ecological Observatories of Arctic Tundra, to communicate their climate change findings. I extend their strategy by 1) designing new modes for communicating the research produced, and 2) expose the abundance of approaches and knowledges on nature held by local actors, highlighting competing perspectives on the relationship between people and nature.
 

Kristoffer Sekkelsten


Beate Marie Manthey Hølmebakk

This project, however, investigates the architectural relationship between the differences of three dance-specific studios:
 
A studio for choreography
A studio for partners
A studio for the independent
 
Through analyzing, interpreting and attempting to understand these categories of dance, this project aims to produce an autonomous architectural response in construction, material and space, informed by the distinct qualities of these different ways of dancing.

Michelle Schneider


Marius Nygaard
Catherine Sunter

Moving to adapted housing can provide a feeling of independence that individuals may have lost due to illness. This can provide an increased sense of safety in everyday life and easier access to social interaction with others. Environmental treatment offered at home by care-givers, as well as adapted physical surroundings, can make living with dementia easier.

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