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Diploma project

Carl Fredrik Foss


Beate Marie Manthey Hølmebakk
Lars Danielsen Holen
Espen Knudsen Vatn
The projects main objective has been to handle the challenge of placing three large film production spaces in an open public site alongside Oslo’s main river, Akerselva. The motivation behind this challenge was to be able to create a good film production facility with strong connections to the city, surrounding nature, and the public. The project is characterized by Three volumes protruding from an accessible roof area. These volumes are taking up, reflecting the format of the existing, nearby located building volumes.
Sindre S Fredriksen


Lisbeth Funck
The project centers around how new spatial qualities can appear within an exsisting structure. As Edvard Munchs 'Scream' is finally silenced in its new high-security concrete block in Bjørvika, and his treasure chamber in Tøyen will be emptied, the Pushwagner museum is a way to discuss and discover the qualities of a purposemade building in a new context and frame. With traces of the old in combination with the new, the building becomes a structure that could fascilitate new life – a collection of spaces to house the spirit of the artist.
 
Ermioni Patsou Garramone


Neven Mikac Fuchs
A sequence of interdependent rooms in relative scale the one to other is organized around a secluded garden. By varying measures of architectural scale – width, depth, height, pitch the rooms are brought into relationship first with each other, and then with the elements of architecture itself and the surrounding landscape that adjoins them. A cliff by the Mediterranean Sea- Cy Twombly’s constant inspiration, is the site proposed for creating intimate spaces which enclose distant views of the endlessness of the sea, the sublime mountain and Cy Twombly’s Mediterranean universe. 
 
Jon Fjellstad


Beate Marie Manthey Hølmebakk
Working with Are Vesterlid and Hans Østhaug’s summer restaurant in Elverum, the project is a study of the relationship between the existing and the new. I aim to design functional and beautiful spaces for practice and performance while preserving existing qualities.
 
Hiu Yeung Amos Chan


Rolf Gerstlauer
Per Olaf Fjeld
The church is going to die not because people leave it, but simply because it is getting old and a new body is needed. The project is to create a new body for the church. The memory, history and the spirit will be project on the new body. These will generate an new architecture, and the new architecture will be a memorial of itself.
 

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Jon Erik Dybedal Brekken


Erik Fenstad Langdalen
Kolbjørn Nesje Nybø
Barns and related structures are the second most common building typology in Norway, and the tradition linked to them are of great cultural historical value. Sadly, research indicate that 25% of them are either empty or not in use, and their future seems uncertain. 
 
What is the potential that lies in these abandoned agricultural buildings?
 
Andjela Brankovic


Rolf Gerstlauer
Per Olaf Fjeld
“I think what we demonstrate is the value of staying put. Modern society is full of people rushing from one place to the next, one job to the next, even one family to the next. But we are able to stay put, and I think there is something that is attractive about that, because so many people are rootless.”
Anonymous monk, “The Architecture of Stability”, R.D.G. Irvine
 
Tiange Wang


Carsten Oeding Loly
Stein Rokseth

Light which can support people's need for sufficient light in compact living, at the same time make a design that avoid complicated structures that get in the way in the crowed surroundings of compact spaces.

Erlend Furset Søderlund


Stein Rokseth
An explorative project with traditional techniques of bending wood. I have explored how solid bent wood can be shaped and combined with porcelain. The project is in collaboration with MENT, who design and produce interior products of porcelain. 
 

erlend_soderlund.jpg

Erlend Søderlund
post@erlendsoderlund.no
www.erlendsoderlund.no
Simón Sandoval Guzmán


Natalia Lucia Agudelo Alvarez
Jonathan Romm
Three design interventions were developed: a system to support patients through messages, a new practice to help patients acknowledge their progress through photographs, and a whiteboard to provide the caregivers with an overview of the patients.
 
Each of them acts as a driver to enable the service to move from current to new practices. At the same time, each aims to generate ripple effects extending into the future to make the service more supportive towards SCI patients.
 

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