The landscapes of the cold high-altitude Andes and the Norwegian mountains have been described with superlatives about dramatic geography, extreme beauty, abundance of water resources and ecosystems that respond to altitudinal variations. In the case of the Andes these landscapes also force us to reconsider the cliches traditionally employed to describe the specific aesthetics of the tropics.
Astonishingly comparisons went as far as when Swedish geographer Erik Ljungner, suggested in 1940’s to name the Swedish part of the mountain range, the “Scandes” mountains based in his fascination for the Andes after returning from his expeditions in South America.

The expeditions:
The studio will venture out in two expeditions, the first one in Norway and the second to the high altitude tropical Andes in Colombia.
In the Colombian case these are landscapes that just recently became accessible for foreigners, landscapes that are in constant and growing pressure from extraction practices, torn by war and in some cases extreme scarcity, on the other hand theses landscapes also present the extreme beauty of some of the most bio-diverse ecosystems of the world. Mountainous landscapes that like in Norway and the Alps, it’s artistic descriptions are always full of superlatives and romanticism.

After traveling in Norway the expedition to Colombia will expose the students to a topography that in many ways will look familiar, but at every turn of the road will present some of the most extreme forms of urbanization, from churches in the middle of the Pan-American road, to markets in steep slopes, or Spanish plazas completely deformed by topography. By performing these two trips within short time interval students will be pushed to employ geographic and territorial analogies to understand particular processes of urbanization. Perhaps a familiar perspective for many students, the landscapes will be exotic and to some extent uncharted.

Context:
Colombia ́s enduring war has reached a pivotal moment as the Oslo (and later Havana ) peace dialogues mark a turning point for the mediation of land redistribution.1 Five million hectares of rural land will be redistributed in the next 20 years. Within a diversity of climatic and geophysical attributes, for the first time a young generation perhaps aspires to move from the city to the countryside. How might theoretical and practical design tools enable new ecologies and livelihoods able to sustain this transition? Understanding that the redistribution of land should go beyond the paradigm of agro-industrial models of mono-cropping, the visualization of new rural narratives will be foundational to the re-formulation of policies, resource allocation, and re-settlement planning, amidst the impending urban-rural exodus.
Cases:
Beyond geologic features, rugged terrains, abundance of water and beautiful views, Nordic and Andean landscapes also share the fact that both have been the driving force behind unique processes of urbanization. From a historic perspective we will learn from the comparison between Andean capitals, villages located in between high altitude valleys and small towns in Norway. From a more contemporary angle this graphic comparison is intended to reinforce the idea that the distinctions between urban and non urban as dictated by population agglomeration are outdated and not useful for designing in extreme geographies.

Design:
A wild child of Branzi’s Agronica with the deformed grids of the Idias plans. In a place where flatness is an exception rather than the rule.

This second phase of the studio will focus on the design of a collective spatial mat of at least 10 Hectares (shared by the whole studio) and interventions of multiple scale that will invite the public to visit and enjoy these previously inaccessible landscapes. The position of the mat will coincide with as close to a topographic replica in Norway that we can find. After the trips we will keep verifying scale and position in a real test site in Norway. Climate and atmosphere will become fiction and the ground just an abstract reference system.
For projecting the mat we will revisit the relentless horizontality of Branzi’s Agronica. As model we will test it against extremely steep slopes and a convoluted vegetal cover. What for Branzi, Archizoom, et al were voids, for us will be thick, rich, and in some instant impassable landscape features. What for Branzi was industrial agriculture for us will be churches, schools and other basic building blocks for an Andean catholic small town. The basic building blocks of a post-conflict remote city.

To be able to have morphological features at the forefront of design and North-South comparisons, students will take part in two photography workshops in Norway and Colombia. This will help us transcend the limitations of landscape photography as document to collect exotic landscapes. The technique will also facilitate the incorporation of this information into the design phase and the production of video based documents for final exhibition.
By employing the same techniques, same equipment, old and new, analog and digital, students will discover and expose precise differences in the manifestation of color palette, light, textures covering similar topographies.

Final exhibition will be held at AHO and the films and large format photographs will be presented at the 2017 Bordeaux biennial “Agora” where the outcome of the studio will engage curatorial questions about national identity through the representation of the landscape, and more importantly expose new ways to look at a part of the tropical Andes that has just been opened up to the public.

.1 With the second largest population of internal displacement in the world, the 2015 UNHCR Profile for Colombia calculates that 80%
.2 Andrea Branzi’s Agronica, illustrates the relentlessly horizontal spread of capital across thinly settled territory, and the resulting “weak urbanization” that neo-liberal economics has enabled. Commissioned by Philips Electronics, and created in association with the Domus Academy — a research institute Branzi cofounded in the ’80s — Agronica explores the potential relationships among agricultural and energy production, new versions of post-Fordist industrialism, and the cultures of consumption they produce.