Mandatory for 2nd semester Landscape Master students, open to Architecture Master students.
CAD 2D and 3D (Rhino), Adobe Suite, hand drawing, analogue and digital model making, GIS. Interest and experience in urbanism and landscape “materials” such as water, soil, plants.
Oslo: Blue, green, and the city in-between.
This marketing rhyme is constantly challenged with Oslo being at the very centre of a growing region. To accommodate the influx of inhabitants, capital and goods municipalities re-zone agricultural land, often on risk-prone grounds for the development of urban districts and commercial or logistical areas, announced by large billboards. Civil opposition, understandably riding the arguments of ecology, history and place are the consequences. In contrast, the studio is a call for projects that support an environmental imagination in which urbanism, ecology and an aesthetic position are informing each other. It asks:
What if we radically reverse the approach to urban development? And start from the ground, water and vegetal structures to generate contemporary forms of urbanisation?
There are reasons enough. Historically a water-rich area, weather extremes question the functionality of the cultural landscapes present in the Oslo region. While flooding and its impact on traffic, real estate and water quality in intensively used areas start to be addressed in municipal planning, the droughts of recent years shift attention to water supply – and with it to the rather extensively used, wider “support” territory. From a water perspective, the levelling of seasonal peaks asks for new cultural landscapes. Urban and landscape practices actively change and modify water flows and cycles. Can urbanism team up with water’s active role in structuring space, regulating climate and creating opportunities for cultural practices? The studio proposes a shift from water as a passive resource to an agent taking part in developing a future cultural landscape.
To be bold: Could urban development and the need to accommodate for flaws of goods be the incentive of the required hydrological and ecological transformation? Oslo: Blue, green, and the city in-between. The rhyme would then mean both to intertwine urban life into concise and perceptible landscape structures and to have human ecology play an active role in the re-adjustment of the hydrological cycle to the changing climate.
In sum, the studio explores landscape-based, water-active urbanism within the Oslo Metropolitan Region. In face of climate change with its increasing risks of draught and flooding, and continuing urbanisation pressure the studio will propose spatially concise landscape frameworks at the very basis of any new development. It engages the functional requirements of adaptation to changing environmental conditions as much as the spatial and environmental aesthetics of storing and cycling water as an agent of urbanism.
The studio is thus an inquiry into future cultural landscapes beyond perceived city/countryside or culture/nature or planned/unplanned dichotomies, and how these contribute to an idea of human nature.
Knowledge: The design and research studio will provide students with the conceptual categories to address the interrelated issues of sustainability in an urbanising regional context. Based on a systemic view on the environment a focus of the studio will be a hydrological perspective on design, and the understanding of landscape as infrastructure. Form will be discussed in relation to performance as well as to space and place.
Skills: Concretely, students will develop skills to envision urbanisation projects as cultural landscapes with the goal to ensure adaptability to climate change and promote participation. Research-driven, multi-layered and multi-scalar in its scope, the studio builds the capacity to conduct a layered and visual analysis of the territorial/ regional context, the ability to reference precedents, to fuse technical and aesthetic aspects of form giving, and finally to frame and argue for a well-resolved design proposal anchored within the scale of the territory.
General competence: The studio’s underlying thesis will encourage the rethinking of urban, social and environmental challenges as opportunities to develop place-specific, lived and just spaces for the future. The studio’s main competence goal is to equip students with the ability to state ideas, translate these into form, and to apply theoretical and technical background in project work. Students will develop the adequate background knowledge to frame their projects in a larger socially and environmentally relevant context, as well as to use the project as an investigative vehicle to address professional and disciplinary questions. Both individual and group work will be trained.
Individual and group work (2-4 students) is organised around 5 phases.
The phases will be supported by input lectures and readings to facilitate contextualisation and familiarization with discourse and state of the art in theory and practice.
Site, Scale, and Imagination: Measuring the site through human scale, and atmospheric interpretation.
Precedent Analysis: Understanding of cultural landscape techniques to modify water flows in order to irrigate land, to store, infiltrate and keep water clean. Familiarisation with contemporary policies of water management in Oslo and abroad.
Scenario: Portrait: Constructing the context through hand drawing of landuse, topographical and hydrological pattern; field work (Individual work), 3D modelling at varied scales, and archival research (Group work); Morphological analysis: map work, layering and comparison of relevant contemporary and historical layers, preparation for site plan; “Transplant” of urban models: acquaintance with historical landscape-based urban models, definition of water-relevant strata and sites, and possible water-building strategies within the examined watershed (Group work)
Project: Elaboration of site-specific blue-green, landscape infrastructures as a basis for urban projects (1: 5000, 1:2000) Group work. Elaboration of landscape and architectural proposals with a focus on public spaces (1:100 -1:50, 1:20) Individual work.
Communication: Visualization and “telling” the proposals to communicate to a broader audience. Production of an exhibition or website; and a studio booklet that can serve to advance the imaginary on the Oslo Region as a sustainable territory. Group work.
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Bell, Simon. 1999. Landscape: pattern, perception and process. London: Spon Press.
Dee, Catherine. 2001. Form and fabric in landscape architecture: a visual introduction. London: Spon Press.
Diedrich, Lisa, Henri Bava, Michel Hoessler, and Olivier Philippe. 2009. Territories: from landscape to city. Basel: Birkhäuser.
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Pollalis, Spiro N. 2016. Planning sustainable cities: an infrastructure-based approach. Routledge (filter, barrier, source, sink, conduit)
Purdy, Jedediah. 2018. After Nature: a politics for the anthropocene. Boston: Harvard University Press
Reed, Chris, and Nina-Marie E. Lister. 2014. Projective ecologies. Cambridge, Massachusetts ; Harvard University Graduate School of Design : New York, New York ; Actar Publishers
Sarté, Bry and Morana Stipisic. 2016. Water infrastructure: Equitable Development of Resilient Systems. New York: Columbia GSAPP.
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Ungers, O. M. 2011. Morphologie = City metaphors. Köln: Walther König.
Viganò, Paola, Angelo Sampieri, and Viviana Ferrario. 2011. Landscapes of urbanism. Quaderni Del Dottorato Di Ricerca in Urbanistica / Universita IUAV Di Venezia, Dipartimento Di Urbanistica. Roma: Officina.
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Wöhrle, Regine Ellen, and Hans-Jörg Wöhrle. 2008. Designing with plants. Basel: Birkhäuser.
Vurderingsform | Gruppering | Karakterskala | Kommentar |
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Prosjektoppgave | Individuell | Bestått / ikke bestått |