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Diploma project

Jakob Auer


Sabine Muller
Janike Kampevold Larsen
After shutting down in 2006, various stakeholders are engaging in an active debate about the future of the site. High costs of decontamination and differing interests of stakeholders slowed down the planning process until today. Although Long-term Industrial Wastelands often imply problems in urban development and can be a great burden to municipalities, these areas don‘t just pose a problems, but also offer great potential. How can these potentials best be found and highlighted? 

Kari Tønseth


Peter Paludan Hemmersam
Lisbet Harboe
Eric Reid
I dette prosjektet er de administrative kommunegrensene brutt ned, og lokale entusiaster med fremtidstro og pågangsvilje har fått nye roller og oppgaver. For å oppnå effekt utover individnivå, er nettverksbygging sentralt. Landskapssnittet viser hvordan ressurser er knyttet sammen slik at nye muligheter kan vokse frem.

Havet gjenoppstår som infrastrukturell sammenkobler, der aktive småkaier representerer en desentralisert infrastruktur som samler og videreforedler kystkulturen og som gjenoppretter viktige sosiale møtepunkt. 

 
Åshild Mienna


Sabine Muller
Lisbet Harboe
Through readings and interpretations of the landscape, the project tests a series of interventions in combination with re-thinking of the usage on site. The design seeks to explore alternative ways of how an area may develop through time, and investigates the resistance and opportunities at chosen locations. 

Anniken Høgset


Erik Fenstad Langdalen
Claudia Andrea Pinochet Rojas
Tor Olav Austigard
Kunstnerforbundet wishes to expand to better accommodate for the new art expressions and forms of art mediation. An extension of Kunstnerforbundet, placed on top of the existing brick structure, will create new spaces for displaying and engage in art. The existing structure is kept and restored, however the original circulation is altered to make a new experience from the basement to the roof terrace.
 

 

Eline Egeland


Marius Nygaard
Catherine Elizabeth Sunter

The project positions itself within the discussion on the lack of facilities for art and cultural production as part of urban development strategies. It also investigates how to create good living spaces in complex and high density urban sites.

Even Ambjørnsen


Beate Marie Manthey Hølmebakk

Jazz education in Norway has a tradition of focusing on the potential and unique voice of each student. Music is seen as a language, and the goal is to learn how to speak it. 

This project proposes a scenario where the jazz department in Trondheim is given its own building, located in the city centre. The direct contact with the city is intended to strengthen the identity of the students and the music they make. It is an investigation of the architectural potential connected to a specific group of musicians and their attitude towards a creative process.   

Gisle Simonsen


Beate Marie Manthey Hølmebakk

The new landscape and the program interact in a new manner. 

Nature is absent, while architecture is an essential component of the urban landscape, therefore, its role becomes more significant. What qualities does architecture possess that can provide a framework for social interaction and spatial variations, as generous as the landscape of nature? 

Håvard Mørkved Bohne


Rolf Gerstlauer
Lisbeth Funck
Per Olaf Fjeld
Alfheim Svømmehall, by architect Jan Inge Hovig, was built as Tromsøs main public swimming pool in 1965. In the decades since it's opening the building has fallen into disrepair due to a lack of funding and low revenues.
The buildingís future is uncertain due to a new water park scheduled for construction in the near future.

My idea for Alfheim's future is to transform this old and battered building into a cultural "open house" with rotating exhibition spaces, concert- and performance venues and a visitor center for tourist. 

Hauk Jonathan Lien


Gro Bonesmo

The exhibition greenhouse consists of two parts: the tropical rainforest and the arctic tundra biome. The visitors will experience the biodiversity of these zones, but also learn about the challenges they’re facing. In addition to the exhibition part, the building contains a climate conference center, educational facilities, a natural science library and new offices for The Natural History Museum.

Ingrid Engøy Henriksen


Erik Fenstad Langdalen
Tor Olav Austigard

In 1942 Adolf Hitler commanded Batterie Dietl built on Engeløya in Steigen municipality as a part of the defence line’s “West Wall”. With a maximum gun range of 56 km it is one of the 2nd World War’s largest coastal fortifications in Europe. The fort guarded the entrance of the Vestfjord and the shipping traffic to Narvik, where iron ore from Sweden was retrieved and brought to Germany’s arms factories. 

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