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Mari Hvattum

Professor

Institutt for arkitektur

Mari.Hvattum@aho.no

Tel: +4722997119

Mari Hvattum er professor i arkitekturhistorie og -teori ved AHO. Hun er utdannet sivilarkitekt fra NTH og har studert filosofi og estetikk ved Universitetet i Trondheim og Bergen. Hun har sin PhD i arkitekturhistorie fra University of Cambridge, England. 

Hvattum har undervist arkitekturhistorie og -teori ved universiteter i Norge og utlandet, deriblandt Architectural Association, London; Mackintosh School of Architecture, Glasgow; University of Edinburgh; University of Strathclyde og Central European University, Praha. Hun har ledet forskningsprosjekter som Routes, Roads, and Landscapes. Aesthetic Practice en Route 1750–2015 (NFR, 2008–2015); The Printed and the Built (NFR, 2014–2018) og Printing the Past. Architecture, Print Culture, and Uses of the Past in Modern Europe (HERA/ERC 2016–2019). Hennes egen forskning dreier seg om 1800-tallets arkitekturtenkning, særlig forholdet mellom arkitektur, offentlighet og historieforståelse.

 

Fagområder

  • Arkitekturhistorie og teori
  • Form

Curriculum Vitae - CV

Utvalgte publikasjoner

Monografier:

  • M. Hvattum, Style and Solitude. The History of an Architectural Problem. Cambridge Mass.: MIT Press, 2023.
  • M. Hvattum, Hva er arkitektur. Oslo: Universitetsforlaget, 2015.
  • M. Hvattum, Heinrich Ernst Schirmer. Kosmopolittenes arkitekt. Oslo: Pax, 2014.
  • M. Hvattum, Gottfried Semper and the Problem of Historicism. Cambridge and New York: Cambridge University Press, 2004.
 
 
Redigerte bøker:
  • M. Hvattum and A. Hultzsch (red.), The Printed and the Built. Architecture, Print Culture, and Public Debate in Modern Europe. London: Bloomsbury, 2018.
  • M. Hvattum (red.), Debatten om stortingsbygningen 1836–1866. Oslo: Pax 2016. 
  • M. Lending and M. Hvattum (red.), Modelling Time. The Permanent Collection 1925–2014. Oslo: Torpedo Press, 2014.
  • Helge Jordheim og Tore Rem (red.), m/Kristin Asdal, Torkel Brekke, Mari Hvattum, Erling Sandmo og Espen Ytreberg, Hva skal vi med humaniora? Oslo: Fritt Ord 2014.
  • M. Lending and M. Hvattum (red.), “Vor Tids Fordringer.” Norske arkitekturdebatter, 1818–1919, Oslo: Pax, 2012.
  • M. Hvattum, B. Brenna, B. Elvebakk, and J. K. Larsen (red.), Routes, Roads and Landscapes, Farnham: Ashgate, 2011.
  • G. Lauvland, K. O. Ellefsen, M. Hvattum (red.), An Eye for Place: Christian Norberg-Schulz as Architect, Teacher and Historian, Oslo: Pax, 2009.
  • M. Hvattum og C. Hermansen (red.), Tracing Modernity. Manifestations of the Modern in Architecture and the City,London: Routledge, 2004.
     
Artikler:
  • M. Hvattum, “Incandescent Light Bulb”, in Barbara Penner, Adrian Forty, Miranda Critchley, and Olivia Horsfall Turner (eds), Extinct. A Compendium of Obsolete Objects. London: Reaktion 2021.
  • M. Hvattum, “‘A Triumph in Ink’. Gottfried Semper, The Illustrated London News, and the Duke of Wellington’s Funeral Car”, in M. Gnehm and S. Hildebrand (eds), Architectural History and Globalised Knowledge: Gottfried Semper in London, Zürich: ETH/gta 2021.
  • M. Hvattum,”Tassles, Tapestries, and Templer. Ornament as Origin of Architecture”, in Sunil Bald and Gary Lam (eds) Kent Bloomer. Nature as Ornament. Yale 2020.
  • M. Hvattum, “Historicism.” In Oxford Bibliographies in Architecture, Planning, and Preservation. Ed. Kevin Murphy. New York: Oxford University Press 2020. DOI: 10.1093/obo/9780190922467-0032
  • M. Hvattum, “Stilforflytninger». Kunst og Kultur vol 103, no 3/2020.
  • M. Hvattum, “Rocky Starts – Ephemeral Beginnings”, gta papers no 3/2019.
  • M. Hvattum, “Style. Notes on the Transformation of a Concept”, Architectural Histories – Journal of the EAHN7(1), 2019. DOI: http://doi.org/10.5334/ah.367
  • M. Hvattum, “’Tunnel 9; meget vakkert’. Yngvar Nielsens Rejsehaandbog over Norge”, in Camilla Ruud and Gro Ween (eds), ”En Trængslernes Historie”. En antologi om museumsmannen og historikeren Yngvar Nielsen, Stamsund: Orkana Akademisk 2019.
  • M. Hvattum, “The Nordic Countries 1830-1914”, in Murray Fraser (ed) Sir Banister Fletcher’s Global History of Architecture, vol. 2. London: RIBA/Bloomsbury 2019. 
  • M. Hvattum, “Stil und Abgeschiedenheit,” Deutsche Zeitschrift für Philosophie vol 66, no 6, 2018.  
  • M. Hvattum, “Mere style,” Architectural Histories – Journal of the EAHN, 6(1), 14, 2018 
  • Zeitgeist, Style and Stimmung. Notes on architectural historiography in the late eighteenth century”, in Caroline van Eck and Sigrid de Jong (eds.), Companions to Architectural History, vol. II: The Companion to 18th Century Architecture, London: Wiley, 2017.
  • M. Hvattum, “Drømmen om et nasjonalgalleri”, in Audun Eckhoff, Nasjonalgalleriet. Oslo: Fagbokforlaget 2017.
  • M. Hvattum, “Goethe Blindfolded”, in José de Paiva (ed.), The Living Tradition of Architecture. London: Routledge 2017.
  • M. Hvattum, “Une historicisme héteronome. L’Assyrie de Gottfried Semper” Revue Germanique International no 26/2017.
  • M. Hvattum,”On Durability”, Architecture Philosophy vol 3, no 1, 2017, pp. 48-61. ISSN 2372-0883
  • M. Hvattum, “Heteronomic Historicism”, Architectural Histories – Journal of the EAHN, vol. 5 no 1/2017. DOI: http://doi.org/10.5334/ah.216
  • M. Hvattum, “Major og Schirmers Gaustad”, Tidsskrift for Den norske legeforening, vol. 136 no 12/13 2016.
  • “The Garden and the City: Fragmented Dreams of Totality,“ in Maximilian Sternberg and Henriette Steiner (eds), Phenomenologies of the City. Studies in the History and Philosophy of Architecture. Farnham: Ashgate 2015.
  • “The Moss/Plug Juxtaposition”, A10 New European Architecture, no 55/2014.
  • “Sverre Fehn’s Villa Schreiner”, in Nina Berre and Mari Lending (eds) Villa SchreinerAsBuilt Classic, Oslo: Pax 2014.
  • “The re-enchantment of history. Jan Digerud and figurative postmodernism”, in Jan Digerud, Collage. Oslo: A+O publishing 2013.
  • ”The King’s Road: Constructing the National Landscape”, (co-authored w/Brita Brenna, Torild Gjesvik and Janike Kampevold Larsen) in Kjerstin Aukrust (ed.), Assigning Cultural Values, Frankfurt am Main: Peter Lang 2013.
  • “Crisis and Correspondence. Style in the Nineteenth Century”, Architectural Histories – Journal of the EAHN, no 2/2013. DOI: http://dx.doi.org/10.5334/ah.an
  •  “The Engineer’s Garden”, in Turid Karlsen Seim and Victor Plahte Tschudi (eds), Acta ad archaeologiam et artium historiam pertinentia (ACTA), no 26/2013.
  • “Arkitekt Heinrich Ernst Schirmers studiereise til England, 1843–44” (w/ Iselin Bogen), Kunst og kultur no 2/2013.
  • ”Making Place”, in Michael Aasgaard Andersen (ed.), New Nordic: Identity and Architecture, Copenhagen: Louisiana, 2012.
  • ”Utsikter fra veien”, in Nina Frang Høyum and Janike Kampevold Larsen (eds), Views: Norway seen from the RoadUtsikter: Norge sett fra veien, Oslo: Press forlag, 2012.
  • “Forms of Friction: JVA architects 1996–2012” in Design Peak 14: Jarmund/Vigsnæs Architects, Seoul: Equal Books 2012, pp. 1-100.
  • “Architecture and the Archive” (w/Mari Lending), Nordic Journal of Architecture no 3/2012.
  • “Nordic Nonumentality” Nordic Journal of Architecture, no 2/2012.
  •  “Beslöjade verk och suddiga sammanhang” in Claes Caldenbye and Fredrik Nilsson (eds) Om Arkitektur, Arkus: Stockholm 2011.
  • Das Original ist schon Kopie”: imitasjon og metamorfose i 1800-tallets arkitekturtenkning” in Karin Gundersen and Mari Lending (eds) Kopi og original, Oslo: Scandinavian Academic Press.
  • “Bridging the Gap”, Docomomo Journal 45, 2/2011.
  • ”Panoramas of Style: Railway Architecture in Nineteenth Century Norway”, Journal of the Society of Architectural Historians. Vol. 70, no. 2, June 2011.
  • “She came down like a dream.” Gordon Matta-Clarks Splitting”,  Agora – Journal for metafysisk spekulasjon no 3/ 2010.
  • “Lost in Place: Jarmund/Vigsnæs Architects”, World Architecture, vol. 245no 11/2010.
  • “Landscapes en route”, ’Scape Magazine: Landscape architecture and urbanism, no 1/2010.
  • “Stedets tyranni”, Arkitekten (Danmark) no 2/2010, pp. 34-43
  • “En Medkjæmper for den gode Sag”, Heinrich Ernst Schirmer og Intelligencens arkitektur”, Kunst og Kultur no 1/2010.
  • ”The problem of Aesthetics”, in Made in Norway. (ed. Ingerid Helsing-Almaas), Basel: Birkhäuser 2010.
  • ”Modified modernism: the relational architecture of the low-rise high-density movement” in Nortopia: Nordic modern architecture and postwar Germany. (eds. C. Spliid-Høgbro and A. Wischmann) Berlin: Jovis Verlag.
  • “Genius Historiae: Christian Norberg-Schulz and the historiography of modern architecture” in: Lauvland, Ellefsen, Hvattum (eds.) An Eye for Place: Christian Norberg-Schulz as Architect, Teacher and Historian. Oslo: Pax 2009.
  • "En reise i fremmed land: Verneteoretiske posisjoner i samtidsarkitekturen" i Tid i arkitektur: om å bygge i fire dimensjoner. P. Butenschøn (ed.) Oslo: Akademisk Publisering 2009.
  • ”The Pleasure of Surprise”, Positions - On Modern Architecture and Urbanism Histories and Theories, University of Minnesota Press / NaI, no 1/2008.
  • “Veiled Works and Blurred Contexts”, Journal of Architecture vol. 13, no 2/2008.
  • “Unfolding from within: Modern Architecture and the Dream of Organic Totality”, Journal of Architecture vol. 11, no 4/2006
  • ”Origins Redefined: a Tale of Pigs and Primitive Huts”, in Primitive: Original Matters in Architecture (eds. F. Samuels, J. Odgers, A. Kerr) London: Routledge 2006.