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Diplomprosjekt

Kama NybøKatrine Hamre Sørlie


Marius Nygaard
Catherine Sunter
Lars Hamran
Scattered along the Norwegian coastline are abandoned concrete structures left after WWII. Today their sculptural quality turns them into landmarks. 

This project aims to revitalize the bunkers and provide new visitor facilities that celebrate the natural environment. Places to feel and observe the weather and landscape – the focus being the views, the ever-changing light and the timeless quality of the horizon.

Eskil Frøyen NybøEven Småkasin


Marius Nygaard
The Inn consists of one central building on the harbour where the ferry arrives, and individual rooms scattered throughout the historical centre. At the harbour, the central building contains the Inns reception, visitors centre, gallery, restaurant and bar. Together with the existing grocery store and the new guest harbour, it will frame a new village square.


 



Yao Zuo


Janike Kampevold Larsen
Sabine Muller
The project aims at finding value in some of those leftover spaces. It is investigating the biological potential in one site, and that site’s possibility to go from decay to growth. The project shows how small interventions may help nature to modify them naturally. 

The chosen site is located at the harbor edge, specifically a formerly very active intersection of roads and views. The harbor garden will serve as a reminder of the decay that has happened, but also turn a decayed area into a living biological zone. 
 

Jon Kåre Mannsåker


Christian Hermansen
Beyond the re-use of the original space, the diploma seeks to accentuate the original structure- a brick building rehabilitated back to its origin, as well as introducing new volumes- an extruded sink wing and a soaring, perforated brass volume. 

The grid is strengthened by a system of steel- and pre-fabricated concrete pillars, beams and arches, supporting the additional volumes. Combined with clear sightlines and open structures, the steel truss roof of the production and assembly hall provides natural light and spaciousness. 

Øyvind Anker Ljosland


Per Olaf Fjeld
Rolf Gerstlauer
A connection between the existing underground network, the new development of Fornebubanen and a new underground tunnel through Oslo city center have the need for a two level underground station, with capacity to handle a large amount of people in transit. Majorstua metro station will become a major hub in an improved underground network

Eskil Ravnanger Landet


Michael U. Hensel
Søren Skjensvold Sørensen
Contrary to the surrounding extruded buildings the intention of my project is to articulate the building as a continued public landscape, generating a wide range of indoor and outdoor spaces. The border between the building and its surroundings are wiped out at selected locations, integrating it into the urban fabric. The building is designed to stimulate the further development of the city. The connection and closeness to the waterfront, and the new central public spaces, opens up for more development near the sea. 


 

Shohreh KheiratiKamilla Merete Kristiansen


Marius Nygaard
Lars Hamran
Catherine Sunter
Nils E. Forsén
The exhibition space in the existing building is too narrow, and lacks room for experiencing the ships in their wholeness. Our strategy is to create spaces that complements Arnstein Arneberg’s architecture and simultaneously creates a more clear connection to the Viking traditions.

Frida Johansen


Beate Marie Manthey Hølmebakk
Knut Hjeltnes
Every building has, if not a program, a purpose. In search of architecture on the place’ terms, I wanted to ensure that the place and its conditions also laid the premise for the purpose. Thus the program chosen was a farm. 

A farm does not only relate to a place, it is, in the best cases, there because of it. As a sort of land keeper, dispensing its resources.

This, I think, is also how the best cases of architecture are brought out; as a spatial dispenser of its place. With awareness of changing it.

Siri Idland


Marius Nygaard
Catherine Sunter
Lars Hamran
Above Oslo is a contribution to the present discussion on high-rise buildings as a strategy for further densification in the central parts of Oslo. Placing the building close to an existing traffic node, gives several people the benefits of living an urban life. Timber is the main structural material. It has well-documented environmental properties as well as the advantage of being an important part of the Norwegian building culture.
Maia Hodne


Erik Fenstad Langdalen
Claudia Andrea Pinochet Rojas
Going to the theater has a strong ritual. You enter the building, often nicely dressed. You hang off your coat and collect your ticket. If you are with someone, you mingle and smalltalk in the foyer before it is time to enter the hall. There is often a walk towards it, and it often involves a staircase. It is clear where you are suppose to go. When entering the hall, you find your row and then your seat.

And then you wait.

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