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Diplomprosjekt

Fredrik Van Der Horst


Luis Rodrigo Callejas Mujica
Marja Skotheim Folde
The proposed intervention for the underpass at Vøien bridge aims to transform this fragmented relationship between infrastructure and landscape into a cohesive and poetic design. It seeks to create a new sense of everyday spaces by integrating the underpass with the riverine landscape, while also treating the runoff water to minimize its negative effects on water quality and fish life. The project draws on the understanding that the river is not merely a passive element but a dynamic force that adapts to the terrain.
Arman Esmaili Sellæg


Lisbeth Funck
Matthew Dylan Anderson
Dagur Eggertson
Kristine Glenna Kragset
Meeting trees is a project that encourages people to view trees as an essential component of the urban environment.
 
With a series of spaces, a depot, a workshop, a cafe, and a garden, the project intends to create awareness and give an understanding of nature’s processes by providing a space where visitors can come and interact with trees and wood as a material.
 
Hanna Lie BakkenKine Nordgård Ugelstad


Petter Kveseth
Matthew David Dalziel
The simplicity of the utedo serves as a comprehensible entryway to more complex topics. The initial goal of this project was to build something and to learn from it. Throughout the semester we’ve understood that the topic of the toilet and the utedo is a universal one. And that it connects to cultural, economic, social, environmental and political spheres. Our project does not offer a perfect solution, not for a perfect sewage-system and not for the utedo. For us it has been a tool for learning and a generator of discussions.
Tora Lie Brunborg


Erik Fenstad Langdalen
Mari Lending
Alena Beth Rieger
Som en flyvende tallerken i sakte film letter romfartskontoret til Njål R. Eide fra sin plass på Drammensveien 312 på Lysaker sentrum halv ett i natt. Noen timer senere var det på plass på sine søyler på fjellknausen i det gamle fornebu-krysset. 
Asker og Bærums Budstikke, 7. July 1990
Christian Magnus Tømmeraas Berg


Petter Kveseth
Stone is seeing a revival in architectural constructions, but despite both the material beauty and the constructive qualities of stone, quarrying is seen as a destructive industry. The enormity and scale of our stone quarries, not only as industrial sites but as irreversible incisions into our nature, requires us to evaluate our treatment of the place they leave behind

In this project I investigate the latent potential of a granite quarry to become a place of meaning after production has ceased, and how I, by my role as an architect can contribute to make it so.
Tu-Uyen Phan NguyenMaria Skarvatun


Erik Fenstad Langdalen
Alena Beth Rieger
Nick Coates
Even Smith Wergeland
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Adis Jakupovic


Thomas Gregory Mc Quillan
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Besides the ocean research facility, the program on the Island also features a sauna, locker rooms, high-dive platform, and a lookout point oriented towards the iconic mountain of Trænstaven – answering to needs and wishes of the local community and its visitors.

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Helene Sellevoll Karlsen


Lina Elisabeth Broström
Norway has vital traditions in folk music and dance that have been cultivated for generations and are deeply integrated into Norwegian culture. However, these artistic traditions are becoming increasingly vulnerable due to the commercialization and internationalization of music and cultural life, as well as rapid societal changes. As a result, there are fewer practitioners of folk traditions, and the average age of performers is increasing.
Lydia Johanna Alvina Winninge


Mari Lending
Erik Fenstad Langdalen
From Noun to Verb Changing architectural vocabularies is an attempt to picture a discourse on the move – through a network around words and language. I deal with language within three fields: architectural design, preservation, and alteration – questioning language’s devalued position within our discipline. By tracing vocabularies, I notice a shift from abstract nouns in architecture to transitive verbs in alteration. A shift from ‘intentions’ to ‘interactions’ that affirms an ongoing change in approach to buildings.
 
Sindre Moen


Martin Brandsdal
The backdrop for this Diploma is set to Fedje, a small island community at the very edge of the open ocean. Located close to a hundred kilometers north from Bergen, Fedje is a stereotypical rural suffering from the vicious forces of centralization and depopulation, leaving the municipality in a fragile state, constantly attempting to regain economical sustenance as well as the perpetual pursuit of preserving the local history and its context.

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