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Diplomprosjekt

Marta Kovacova


Thomas Juel Clemmensen

The core of the design is an action initiated by people and afterwards left to the biotic and abiotic forces to lead and develop the design themselves. The method used to reach the visual result is ecological succession, which is the process of change in the structure of community of species over time. Both the process and the final appearance are important parts of the project. With the knowledge of plant behaviour, it is possible to create a low-cost project that highlights spatial qualities of industrial heritage as well as revealing the ability of creation of living matter.

Nicholas Gulick


Thomas Juel Clemmensen
A study of human, geologic and hydraulic movements in the region has revealed new strategies for navigating the Dvina River during periods of partial ice cover using technologies from historic infrastructures. Utilizing design details from ancient Pomor sailing vessels and modern construction techniques, I am proposing a modified river crossing built on pontoons which connect to a floating island providing new public spaces on the river.
Mio Oribe Ueno Stuberg


Rolf Gerstlauer

As the child has the unique capacity to imagine and be curious, the distinction between object, house and nature is blurred. This inspires me to think what the architecture of the kindergarten can be, what it consists of, what are the architectonic elements and objects that make up this world that the child grows in and with.

Mio Oribe - mio.oribe@gmail.com - +47 92404346
 

Torunn Oland Stjern


Espen Knudsen Vatn
Jan Olav Jensen

An increased interest for year-round- and in particular ice bathing, demonstrates a potential to further extend the bathing season.
 
The program of the diploma project covers a small, public sea bath by the waterfront of Oslo. The building will be open year-round and facilitate the activities of sauna and ice bathing in the fjord.

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Torunn Oland Stjern - Torunn.stjern@gmail.com - 41268036

Erik Lyche Solheim


Espen Knudsen Vatn
The bridge acts as a second layer of infrastructure spanning above the industrial area connecting a diverse set of conditions. the bridge doubles as a shopping street, where goods is brought directly to the consumers as they are imported in shipping containers. Connected to the bridge is a large public building where containers are brought in and sorted in a logistic center before they are fed onto the bridge or up into the building to supply the program above. A park and a nightclub surrounds the building and sets a framework for a new type of diversity in the area.
 
Qun Sun


Rolf Gerstlauer
The condition of living is enhancing as time goes on. Some old buildings lack the standard of living condition that
it should be nowadays. That condition could cause the problem of the health, could spoil human pleasure mood, etc. They need to be improved.
 
Cecilia Sundt


Neven Mikac Fuchs
The project is situated in Vågsbunnen and it is a part of the medieval city of Bergen. The ambition has been to work with architecture as an inte­grated part of a larger context, as a part of the city, and as a part of the historical quarter and its scale. This project introduces a new layer to the area and at the same time preserves the character of it, where housing and craftsmanship has been leading since its origin. Living in the city is about being a part of the urban life, but at the same time have the opportunity to privacy.
 
Viola Ulrika Kristin Svens


Neven Mikac Fuchs
Chris-Johan Engh
The hotel is a small exclusive hotel in Grünerløkka. It lies on the south-east corner of Sofienberg park, with facades towards both Sofienberggata and the Park, and towards Skjeldrups gate and the City. The main building is shaped as a triangle, and equal to both sides. A small group of trees on the south side flows into the site and becomes a large garden of trees, before it continues, ending in the park.
 
Jonathan Storheil Værnes


Neven Mikac Fuchs
Chris-Johan Engh
Young Eun Choi
All rooms in one apartment are open to each other, creating intersecting and linear sequences of central spaces. This sequence creates a growing, non-orthogonal conglomeration of rooms. Apartments shift from one corner to the opposite as one walks through the three stories, giving each apartment a feel of ownership to all sides of the building. Facade windows are aligned to create a square that is perceived in the coherent reflection of the glass, being the only orthogonal reference point of the building.
 
Camilla Gormsen


Beate Marie Manthey Hølmebakk
Pico island, Azores, is characterised by its mountain, ocean, and thousands of long, linear stone walls giving shelter to the vine plants. The site, situated on a rocky hillside surrounded by vineyards, offers close and distant views to the characteristic landscape.

The winery is built as parallel stone walls giving protection against the sun. Some spaces are underground to keep temperatures stable and stones from the excavation are used in the construction. The walls give shelter to the wine, the workers and the visitors, and weaves the building into the landscape.
 

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