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Diplomprosjekt

Kathrine Atterås Galtung


Thomas Gregory Mc Quillan

The approach of the project was to make a factory producing building- and paving-stones from waste material provided by the quarry, and to show the characteristics and potential of the available stone in the architecture.

The larvikite rock dates back 300 million years. The crossover of architecture and nature in this building therefore pushes the concept of time to the forefront. It raises the question of what the site used to be, what it is now and what it might become in the future. 
 


Anna Røtnes
Beate Marie Manthey Hølmebakk
Tor Olav Austigard
A nature reserve, as it exists today, has an invisible border. A border set on the premises of man: the drawn line on a map, the tiny warning sign on a path. It is a signal easily missed; you do not necessarily know when you have stepped across it, into or out of something protected. What decides where these borders should go, how should they appear, and what are their consequences? 

Anders Sølvberg


Neven Mikac Fuchs
Christopher Succarat Lunde
The oil boom has greatly contributed to population growth, economic prosperity and rapid urbanization. With this in mind, the city has yet to be defined by a distinct architecture, but rather through speculative real estate profiteering. At a time when architectural production is dominated by monoculturalism, individualism and urban sprawl, the goal is to reintroduce the urban residence and through it, work with the city itself.


Erik Fenstad Langdalen
Andrea Pinochet
The buildings are from the late 1950's by Bjarne Sandbakken, and 1960's by Rolf Ramm-Østgaard, who introduced a new architecture on the site, with its red brick facades, ribbon windows, exposed concrete beams and flat roofs.
 
These are now transformed into a new program: An entrance into hospitals in the Østlands region for the young.
 
Cathrine Finnema


Erik Fenstad Langdalen
Espen Vatn
The project suggests 4 takes on living and working for artists; considering type of art, temporality and spatial quality. The 4 types derive from the existing building; a generic brick factory from the 1930s at Løren in Oslo. The constructive elements of the building; the façade, column, wall, and core - manifest themselves into 4 new independent volumes.
 
The existing building becomes a tool to understand the area and its history and can, through an experimental method of preservation, project a new future for the quarter. 


 

Ida Mohn Werner


Anna Røtnes
Jonas Gunerius Larsen
The project aims to take children's development and creative abilities seriously, and establish the museum as a vibrant place for play and activity. In general the project is concerned around the following questions:

What is it that makes children of all ages sit down and draw or make something?
How can the physical environment inspire creativity?
What happens when the drawing is on display and how can it best be exhibited?
What qualities in the existing museum is it that I wish to safeguard and bring to the new museum?


Beate Hølmebakk
Espen Vatn

The project centers around the idea of city life as opposed to architecture and the temporary as opposed to the permanent. Through the development of seven urban conditions the building becomes a structure that could facilitate life in the casual city – a collection of spaces to house the richness of urban everyday life. The site is located in the vibrant neighborhood of Grønland, Oslo, in between housing and small local shops. 

The building adds to the nuances of what public space could be.


 

Victor Johan Gustaf Ramn


Beate Marie Hølmebakk

The project shall through exhibitions, lectures, program activities, mapping of the archipelago and guidance
of nature inform the visitors about the archipelago and what to experience but also how to protect it.

Narrowing the construction site down to the footprint of the building makes it possible for the surrounding vegetation to come as close as possible, letting light and nature in, and the visitors out.

Karen Maria Eiken-Engelgård


Michael Ulrich Hensel
Søren Skjensvold Sørensen
Pavel Hladík
Because of the large size of the building this task was approached by way of deploying parametric tools, which enable a more fluent and integrated workflow in comparison with standard ways of designing. The bowl was optimized to fit within the parameters of an optimal c-value for each of the spectators while at the same time taking into account the height and accessibility of the building. In terms of spatial organization the program of the stadium was determined in consideration of the seating, which is one of the most critical design parameters in contemporary stadium design.
Johanne Rapp Riise


Jan Olav Jensen
Dagfinn Sagen

This diploma seeks to respond to one of the major challenges within future health care by investigating how architecture can contribute to the treatment of dementia. An underlying need for enclosure sets the conditions for a dualistic concept between boundaries and openness. As dementia is often categorized in stages (early, middle and late), so is the project. Life doesn’t have to be so different when moving to an institution.

 

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