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Diplomprosjekt

Fu Tung Sze


Rolf Gerstlauer
Lisbeth Funck
Per Olaf Fjeld
It is an experimental design research studying how human’s sensation on time would matter in architecture. Five projects have been developed to perform five time natures chosen from the novel ”Einstein’s Dreams”:
 
/ Time stands still.
/ People live just one day.
/ Time does pass, but little happens.
/ There is no time. Only images.
/ The texture of time happens to be sticky.


 



Erik Reiten


Børre Hegdal Skodvin

Myntgata Culinary School is a high school for restaurant and food processing, with an emphasis on
the chef education. 

The courtyard is used by the students through cultivation of the earth, as well as care for poultry and rabbits. This is a different approach to the education, with the intent to give students an insight in and a relation to,
the food they will later process in the kitchen. The agriculture is a significant resource for the school kitchen but also a potential resource for the community living in the quarter.


 

Lucinda Jane Baggett


Rolf Gerstlauer
Lisbeth Funck
Per Olaf Fjeld
The diploma takes my own inspiration of the novel Sult (Hunger) by the Norwegian author Knut Hamsun as the basis of an exploration of how my interpretation of the moods of the protagonist’s story and his wanderings within the city of Oslo can be materialised into architectural elements and spaces.
 
The conditions of three sites in Oslo inspire three open spaces which can be wandered both to and within, where there are paths to move along, up or down, and spaces to rest at or within.
 
Hrönn Valdimarsdottir


Sabine Muller
Bendik Manum
The streets are important part of the city rooms as people use them daily when travelling between places whether travelling by bicycle, foot, public transport or the private car. Miklabraut, the main transportation street in Reykjavík today reminds of a motorway but in fact is a city street located in the center of the city.
 
Kristin Belgen Jakobsen


Sabine Muller
Peter Hemmersam
There is a great potential for urban development at the waterfront and also to develop residential areas across the bay. By making the water landscape in between a location for new infrastructure with pedestrian bridge, passenger ferry and boat connections, a sustainable alternative to the car dominated transport system is introduced. The locals will also be given an easy access to great nature and to the open sea. It is important for the concept to develop the areas in a small scale spirit.
 
Vlad (Vyacheslav) Lyakhov


Luis Callejas
Erik Fenstad Langdalen
Jeppe Aagaard Andersen
For years Tromsø expanded its coastline, reclaimed the land from the sea, so that in the whole center there
is no natural coastline left, except for a small stripe of natural beach by Skansen. So the once first beach became the last beach.

The old coastline, an imaginary line that is only present here, waterfront, view and history might become drivers for healing Skansen, making it a waterfront public space.

Qing Lu


Sabine Muller
Bendik Manum
However, in view of the current social economy background, a radical shift by using bicycle transit as a basis for urban development is too platonic. The vision can only proceed with tentative steps. Liangmahe, the river flowing between inner city and suburb is one of the logical locations for developing into safe and attractive bike routes. As a small origin, it can contribute to the discussion of great urban development.
 
Christiana PitsillidouBiljana Nikolic


Luis Callejas
Kai Justin Reaver
In the situation of Los Angeles River; concrete has become a new landscape condition, a playground for film production, used to explore a psychogeographical reality. Virtual images of the selected films have become
the surreal substitutes of the “natural”. The channel created altered spaces, fragmented images related
to speed, scale, materiality and perspective. Its projection and documentation in a variety of fictions have enabled it to be a self-referential and authentic object, contributing to its totality as a liminal space.

Biljana NikolicChristiana Pitsillidou


Luis Callejas
Kai Justin Reaver
In the situation of Los Angeles River; concrete has become a new landscape condition, a playground for film production, used to explore a psychogeographical reality. Virtual images of the selected films have become
the surreal substitutes of the “natural”. The channel created altered spaces, fragmented images related
to speed, scale, materiality and perspective. Its projection and documentation in a variety of fictions have enabled it to be a self-referential and authentic object, contributing to its totality as a liminal space.

Tuva Øvsthus Maire


Luis Callejas

The use of interior gardens and methods of controlling microclimates date back over 3000 years and have enabled us to grow for extended seasons in colder and sometimes warmer environments. The condition
of having water and geothermal heat as a main source of energy, a low population and large areas of available space is however unique. While several European countries has capitalized on agricultural landscape

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