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Diplomprosjekt

Yue Zou


Håkan Edeholt
Berit Lindquister
Hans Gerhard Meier

Because of this crisis of local productions, I designed a global design platform where designers can use
the intercultural advantage to do innovations with small and good local producers as a part time job.
The producers can use the platform to promote local products to form a long-term sustainable consumption.

Ola Nicolai Claussen


Kjetil Nordby
Mosse Sjaastad
Jonathan Romm
By designing an example of what a medical record could look like to a patient I am able to have something tangible to show in a discussion, both with users and with healthcare actors. With a test group consisting
of experienced users I have designed a prototype that I have used as a base to explore different topics. I chose three topics where I made different scenarios. Self registration, how to contribute to your own medical record. Knowledge, could the record be a place where you could learn about your health? Sharing, giving access
Samra Avdagic


Geir Øxseth
Vera Pahle
I wanted to challenge this by designing discursive food packaging that is honest, but also makes people think. My aim was to raise awareness and create a basis for a discussion around the topic of food and food packaging. My goal was to make people question what they are actually eating.
 
I chose to design packaging for a specific product, which is crisp bread, also known as knekkebrød in Norway.
 
Yi Hu


Nicholas Stevens
Stein Rokseth

People become more and more lonely. We are losing physical contacts and face to face communication. Meanwhile, human beings are social animals, talking to strangers make us happy. So I want to encourage social interactions between people in public space.

I have investigated how people interact and avoid interacting with strangers in public space. After research and exploring a lot of concepts, I chose to design a bench, which has an attractive appearance and light interaction. So when people experience the interaction together, it will become something that they have
Oda Sortland


Mosse Sjaastad
Berit Lindquister
Alexander Lie, SpareBank 1
Joachim Svela, SpareBank 1
I researched trends, talked to potential users and got valuable insight into the insurance business from my project partner, SpareBank 1. 

The final concept is a Google platform enabling users to make insurance offerings. A constantly learning program uses a vast amount of data to help create the insurance terms and calculate prices. A myriad of new insurance offerings emerges fast. Most are tailored to a specific user group’s need. End users see all their insurance policies at the platform, where smart software gives them individual advices on their insurance situation. 
Miriam Strandquist


Natalia Lucia Agudelo Alvarez
Anne Mellbye
Kristoffer Leivestad Olsen
The diploma is carried out in collaboration with Arcus, the world’s largest producer of aquavit. Private consumers in ages 25–35 is a market which Arcus would like to reach. The target group’s relationship to aquavit is commonly a sip at Christmas, finding it too strong.

A service design process resulted in a toolkit named DEL, meaning not just share – the name gives life to all
the principles my project wishes to utilize. The toolkit helps facilitate a shared social and enjoyable experience, with aquavit cocktails at a vorspiel (informal pre-party).

 
Martin Holt Juliussen


Einar Sneve Martinussen
Mosse Sjaastad
A lot of content on the web is presented in a way assuming that it will be finished before it is left. Some
content is left to be continued later. If the content is not read to the end Continuance allows the user getting back to the point the content was left making it no problem to leave some content intended to be finished.  

Continuance collects footprints of the material you encounter on the web making it easier to get back to
the content you've meant to finish or really enjoyed.  Continuance helps regaining the content's location,
Biljana NikolicChristiana Pitsillidou


Luis Callejas
Kai Justin Reaver
In the situation of Los Angeles River; concrete has become a new landscape condition, a playground for film production, used to explore a psychogeographical reality. Virtual images of the selected films have become
the surreal substitutes of the “natural”. The channel created altered spaces, fragmented images related
to speed, scale, materiality and perspective. Its projection and documentation in a variety of fictions have enabled it to be a self-referential and authentic object, contributing to its totality as a liminal space.

Christiana PitsillidouBiljana Nikolic


Luis Callejas
Kai Justin Reaver
In the situation of Los Angeles River; concrete has become a new landscape condition, a playground for film production, used to explore a psychogeographical reality. Virtual images of the selected films have become
the surreal substitutes of the “natural”. The channel created altered spaces, fragmented images related
to speed, scale, materiality and perspective. Its projection and documentation in a variety of fictions have enabled it to be a self-referential and authentic object, contributing to its totality as a liminal space.

Kristin Belgen Jakobsen


Sabine Muller
Peter Hemmersam
There is a great potential for urban development at the waterfront and also to develop residential areas across the bay. By making the water landscape in between a location for new infrastructure with pedestrian bridge, passenger ferry and boat connections, a sustainable alternative to the car dominated transport system is introduced. The locals will also be given an easy access to great nature and to the open sea. It is important for the concept to develop the areas in a small scale spirit.
 

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