Diplomprosjekt

Anna Maria Elisabet Forslöw

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Christine Petersen

The ambition for this diploma came from the desire to explore the relationship between public and private space. How they sometimes intertwine, in special ways. The intention was to investigate shared spaces, with a focus on intimacy. To make a public place where someone can exist as an individual, while having a mutual understanding with the other inhabitants that they co-exist in the same space.

The project address both public and intimate spaces outside the private sphere, in a neighborhood library close to the city centre of Oslo.

Mengxue MENGXUE ZHOU

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Mosse Sjaastad

The focus of this diploma lies in using design artifacts and storytelling to arouse awareness and discussion among people on how the public, regulation, technology, and social environment could potentially engage in adjusting the direction towards a future platform.

Um-Ul-Banin SyedAndreas Juul Bergene

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Bente Johanne Kleven
Atle Leira

Maria JohnsenVidar Andre Klavenes

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Our site is in Tromsø, a city characterized by a short summer season, occasional hefty winds, long winter season with huge amounts of snow, and the polar phenomena midnight sun, northern lights, and polar night.

In the summer the dominant wind direction is north-west. The building volume is shaped like an arched wall to create a sheltered outdoor area in the south, and are never more than 4 storeys tall to avoid blocking the sun or the view towards the fjord and mountains.

Yuxi Peng

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Karin Helms
Miguel Hernandez

Atoosa Yasaman Ghanaei

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Rainer Stange
Karin Helms

District 22 is located on the westernmost part of Tehran. A district with an agricultural past, It is 1/7th of the entire city’s size with the altitude of 1400-1800 meters. Tehran’s erratic sprawl of high-rise towers, and its dry climate has intensified the erosion and aridity.

Yuqing Cui

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Eric Reid

Beili Chen

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Alf Haukeland
Karin Helms

Stian Opsahl

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Steinar Westhrin Killi
Hilde Angelfoss

Shengwen LINXiaoyun XIAOYUN WANG

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Mosse Sjaastad
Lars Marcus Vedeler

In terms of the title, “Reshape Memories”, the word “memories” has a double meaning. On one hand, memories are not absolutely accurate; they can be reinterpreted and giv- en new meanings. When we look back at a photo, we are constantly making associations in our brains to reinterpret a memory. On the other hand, our final concept is inspired by
the “Memories” feature of today’s smartphone albums, which brings photos that may be im- portant back to users through AI technology. Our outcome “Colagic” takes “Memories” fur- ther by making photos into collages through AI technology.

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Diplomprosjekt

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